• Solo show in Guelph, ON January 18-Feb 24, 2024

    Solo show in Guelph, ON January 18-Feb 24, 2024

    Solo presentation at Lalani Jennings Contemporary in Guelph, Ontario. I Feel The Sun on My Skin. January 18-Feb 24, 2024. Photo by Greg McCarthy.
    Poem by Andrea for the show.

    Salt stings
    sun-ripened heart,
    overwrought with lilacs and pinks,
    swollen with striped confusion.
    I let go of knowing.

    Ocean pulls at me,
    magnetic to my nerve tree.
    Heaviness satisfies.
    Feet cushioned in soft grass,

    I feel the sun on my skin.

  • Artist talk with Robert Enright in Guelph, ON January 18, 2024

    Artist talk with Robert Enright in Guelph, ON January 18, 2024

    Artist talk with Robert Enright, co-founder of Border Crossings Magazine, at Lalani Jennings Gallery at the opening reception of her solo show January 18, 2024.

  • Lalani Jennings Contemporary Gallery in Guelph, ON group exhibition

    Lalani Jennings Contemporary Gallery in Guelph, ON group exhibition

    Lalani Jennings Contemporary has included 2 of my sculptures in the group exhibition, Colour and Form on until March 4, 2023 at their Guelph gallery. The other artists in the show are Kelly Uyeda, Chanel Desroches, Hannah Johnson and Jasmine Cardenas.

  • Solo show at Mónica Reyes Gallery 2022

    Solo show at Mónica Reyes Gallery 2022

    Solo presentation at Mónica Reyes Gallery, Vancouver, BC, July 2022, Points of Contact.
    Photo by Rachel Topham Photography
    www.monicareyesgallery.com/andrea-taylo…

  • We can only hint at this with words.

    We can only hint at this with words.

    smithfoundation.co/exhibitions-items/we…
    We can only hint at this with words. Exhibition at Gordon Smith Gallery of Canadian Art in North Vancouver, BC with artists Russna Kaur, M.E. Sparks and Andrea Taylor, curated by Kate Henderson and sponsored by Parc Retirement Living and North Shore Recreation & Culture. April 23-June 25, 2022. Digital publication (zine) available at the gallery web site
    issuu.com/smithfoundation/docs/issuu_fi…

  • Westcoast Curated article about We Can Only Hint at This With Words 2022

  • God in Reverse: When Wisdom Defies Capture at Richmond Art Gallery 2020

    God in Reverse: When Wisdom Defies Capture at Richmond Art Gallery 2020

    Curated by Mohammad Salemy
    www.richmondartgallery.org/godinreverse

  • God in Reverse: When Wisdom Defies Capture, Richmond Art Gallery 2020

  • Collaborative Practice with Margery Theroux

    Collaborative Practice with Margery Theroux

    TaylorTheroux is the collaborative art practice of Margery Theroux & Andrea Taylor.
    2017: See our latest collaborative book
Marking The Mutual is a limited edition book created by hand in only 10 original copies. We are pleased the book is part of the university special collections libraries at Rutgers University in NJ, USA, University of British Columbia, Simon Fraser University and University of Alberta as well as New Westminster Archives. With thanks to New Westminster’s Anvil Centre for hosting Margery and Andrea for an artist residency so they could create this book!



    Andrea Taylor makes collaborative drawings with Margery Theroux. The duo calls themselves TaylorTheroux. Here is their Tumblr taylortheroux.tumblr.com The duo have completed 2 artist residencies thus far. Here are some details about the residencies:
    They completed a month long artist residency in Port Chester, NY at Miranda Arts Project Space in 2015. During the residency they created 50 collaborative drawings, a zine (pictured above) and a video exploring Maria Lassnig’s idea of “body awareness drawing”. The residency included a solo show and an artist talk which is documented here.  taylortheroux.tumblr.com/ and www.youtube.com/watch?v=MoSR1kdEnvc The artist talk and discussion was held with Andrea Kantrowitz, Margery Theroux and Andrea Taylor at MAPSpace Artist Residency September 12, 2015. Thanks to Patricia Miranda.
    TaylorTheroux completed a second artist residency August 2017 at ANVIL Centre in NewWestminster, BC, Canada. The collaborative created a limited edition book called Marking the Mutual. Each of the ten books contain 4 original charcoal drawings, 2 original monotypes and letterpress printing of the artists’ writing throughout. Here is some press coverage about the residency. www.burnabynow.com/local-arts/anvil-cen…

  • Collaborative Artist Residency at Anvil Centre August, 2017

    Collaborative Artist Residency at Anvil Centre August, 2017
  • Peripheral Review article by Kristina Fiedrich 2016

    Peripheral Review article by Kristina Fiedrich 2016

    https://www.peripheralreview.com/of-black-holes-and-feminine-flesh/

  • Exhibition at Back Gallery Project

    Exhibition at Back Gallery Project

    Solo exhibition at Back Gallery Project at 602 East Hastings, Vancouver, BC. October 6-22, 2016. Gallery hours Tues-Sat 1-5pm

  • Summer Letterpress Class at Emily Carr

    Four Sundays July 17-August 14, 2016, 10am-5pm. More info here: https://www.connect.ecuad.ca/programs/courses/CEPR/112/SU02

    Learn to hand set metal and wood type, mix ink, use letterpress printing presses, determine paper grain, pull proofs, print and distribute type. Print cards or broadsides, short poems or other short text of your choice using a selection of wood and metal type and ornaments. This course focuses on the traditional methods of typesetting and includes an opportunity to try linocut printmaking and hot foil stamping. Discover the origins of design methods and language we all use in the digital world today.

  • Solo exhibition at Malaspina Printmakers May 5-June 6, 2016

    Solo exhibition at Malaspina Printmakers May 5-June 6, 2016

    www.malaspinaprintmakers.com/analogy-to…

    Andrea Taylor
    Analogy to a Blue Flame

    May 6 to June 5, 2016
    Opening on Thursday, May 5, from 6 to 9pm

    Artist talk on Friday, May 13, at noon, co-presented by The Leeway, ECUAD

    Malaspina Printmakers is pleased to present new experimental video and print works by Andrea Taylor, curated by Justin Muir. The works are an exploration of the vulnerability and power of embodied experience with a focus on form, sensation, and temporality; this exploration is a personal investigation of figures in 19th century photography and film which act as stand-ins for myself and also as time travellers now inhabiting the 21st century.